Many today are familiar with the Broadway musical The Music Man, but few could name one prominent band director active in their own region during the early years of the twentieth century, when community bands were as important to mid-sized towns as professional sports teams are to large cities today.

Among the most renowned in the Midwest in those days was G. Oliver Riggs, who was employed at one time or another by Crookson, Bemidji, Grand Forks, St. Cloud, and other cities, eventually building a reputation as one of the most successful directors of youth bands in the United States. But after his death in 1946, few people outside of St. Cloud, Minnesota, remembered his name or his reputation for building highly disciplined ensembles that provided an extra spark to many civic celebrations, while also instilling a love for music in several generations of young performers.

Six decades later, in Crackerjack Bands and Hometown Boosters, journalist Joy Riggs set out to learn more about the life and achievements of G. Oliver--her great-grandfather. Riggs follows the career of G. Oliver, his talented wife Isla, and their children, through times of war, peace, economic hardship, and personal tragedy. She tracked down and interviews those who performed in G. Oliver's ensembles and scoured the daily newspapers of many small towns for information regarding his movements, contracts, performances, and rivalries. In so doing, she opens a window onto an aspect of American culture that cannot be adequately conveyed by listening to one or two John Phillip Sousa marches.

Ultimately, this is a story about civic pride, community participation, and the power of music to transform lives and connect people across generations